Category Archives: Isshin Ryu

Karate Secrets of the Universe

Karate Power

Karate Secrets...hidden for all to see!


Karate Secrets, eh?
Sort of interesting, you hear about secrets, but, when you get there (black belt?) you find there aren’t any.
You find that water is wet, rocks are hard, and life goes on.
And the real martial arts secrets deal with things like geometry and math and…school stuff.
Well, you actually start to apply basic physics to the body, and you find the good stuff.
I’m not going to go deeply into this, because I don’t want to give away the store. You’re going to find the answers on the Matrix Karate Course, or the Master Instructor Course.
But, the universe is based on the square, the triangle, and the circle.
Karate happens to be the square. It creates the base, the foundation, and a rock solid platform to build all arts on.
Unfortunately, people tend to look for the secrets, instead of building the foundation.
That said, when you do Karate you should be looking for ways to apply a triangle, perhaps to angulat the stance a bit, that sort of thing.
And you should be looking for places where the circle exists, in the performing of a block, smoothing out the edges of a punch.
So the secret of Karate is to simply sink your weight into the stance, learn how to generate the explosion of the tan tien, study how the body moves, and keep doing it until you…transcend. Until you slide a bit out of the body, until you see energy, and can appreciate it, and even start to use it. At that point you can shift arts, but you shouldn’t until then, or you won’t really see all the glorious karate secrets, and the martial arts secrets, sitting in plain sight for all to see.

The Real Truth About Goju Ryu Karate and Chojun Miyagi

Goju Ryu Karate is the invention of Chojun Miyagi. That’s right, all you Karate Kid Aficionados, there really was a Mr. Miyagi. Interestingly, however, the real Mr. Miyagi was not a Karate purist.

I’ll tell you about this after the video.

Most people think of the founder of an art as pure, he studied only one style, and never dabbled. This is because of the true believer mentality inherent in many people who learn one thing, and hold to it as the most important thing ever learned in the history of mankind. The founders of martial arts systems, however, are a varied bunch; Aikido, Kung Fu, Taekwondo or whatever, the founders invariably studied many arts before settling on the method they thought was best.

Miyagi’s initial training in the martial arts was under Ryuko Aragaki. a neighbor of his, who was considered quite the fighter. Miyagi must have done well, for Aragaki introduced him to his teacher Kanryo Higashionna. Miyagi had 3-5 years of martial arts training at the time.

For thirteen years Miyagi studied with Higashionna. Higashionna was considered to be one of the foremost Karate men of the time, and he was renowned for his Sanchin Kata. He was fond of standing and letting up to four men push on him, and holding his ground.

After thirteen years Higashionna died, and Miyagi decided that to move on in the martial arts, he would have to study with the people who trained his teacher. Thus, he made the pilgrimage to Fujian province in China, where he studied Shaolin and Pa Kua Chang.

Now Miyagi was accomplished in both hard and soft style martial arts. He returned to Okinawa and taught his system, eventually choosing a name from the bible of Karate, the Bubishi. The name was goju–’hard/soft.’

The Gojo system is thus based on hard karate, but illustrates a development of hard to soft. There are hard blocks, and yet there are drills and concepts which take the student into the softer aspects of the martial arts. Being a full bodied martial art, the style became one of the few Karate styles to rival the mainstream karate of Funakoshi.

In the final assessment, Goju is a strong system. It has resulted in the systems of Jundokan, Meibukan, Shorei kan and isshinryu. But the strength of the system lies not solely in Karate, but in the strivings of a man to understand both the hard and the soft, and who then formulated the Goju Ryu Karate System. If you want to learn the truth about Karate, check out Matrix Karate at Monster Martial Arts.

I have a confession to make, I used to practice Shotokan Katas while I was going to an Ed Parker Chinese Kenpo Karate style martial arts school.

I kow, heresy, I am impure, oh sob and moan.

But, on my behalf, Kenpo was originally Shotokan. Check out the video, and then I’ll tell you about it.

You didn’t know that Ed Parker Kenpo Karate was originally a shotokan based hard style of Karate? But it’s true! If you look at the first book Ed Parker wrote, it is a sequence of techniques that, when put together, make up the forms of Shotokan.

Mind you, it might not have been Shotokan proper, might even have been Isshin ryu, or shito ryu, or something like that, but the point is made. Chinese Kenpo was originally basic Japanese Okianwan Karate.

Why did it change? Because Parker never got his black belt (Oh, I think he did, but not from Thunderbolt Chow). So he taught a bunch of fellows Karate, ran out of stuff to teach, and started teaching a type of made up Kung Fu.

Look, I know a few dunderheads will get upset with this history, but it’s fairly accurate, there are a slightly different versions out there, but it seems to hold up when you do a little basic net research, and especially when you see that first book.

So, when I say I was doing Shotokan Karate (the Heians out of the Best Karate seriess by Nakayama, while I was studying at an Ed Parker Chinese Kenpo Karate style of martial arts school, that isn’t a bad thing. Heck, if it was good enough for Ed. Right? Check out my site, Monster Martial Arts,  lots of books and courses and things, all the way back to the martial arts taught in the sixties.

The False Martial Art of Karate

The art of Karate is good, except for the false art taught with it. Check out the video, then I’ll tell you about the false art.

The True Art, the Kata and the Bunkai and all that, give one an education of the body, teaches the mechanics and the physics of motion. This is useful stuff that shold be taught in any school.

However, when it comes to kumite, what is called freestyle, there are several problems.

One problem is that the freestyle doesn’t use the moves of the forms. Yes, the forms shouldbe adjusted a bit, but the real problem lies with something I call the Joy of Combat. This is when people start liking fighting just because they like to fight.

What does fighting have to do with Karate?

Karate, or any other art, Kenpo or Taekwondo, or whatever, should be about conditioning the body, calming the mind, and finding a truth of spirit.

Yes, you have to learn how to fight to give up fighting, but it seems like too many arts get stuck in learning how to fight, and never give up the fighting.

If you agree with my sentiments here, and maybe want to find a better method, check out my website…Monster Martial Arts.

What Real Karate Is

First you learn to block and punch, go through some bruises, get excited about fighting, and that sort of thing.

If you are in a real system fighting starts to become secondary, you start working on silencing the inner chatter in your mind.

To concentrate on one thing, to the exclusion of extraneous thoughts in your head.

This is the real point of it all, can you get rid of so many thoughts that your head is silent all the time?

If your head is getting silent all the time, you are doing real karate. If it is not getting silent all the time, you are not.

This can be applied to other martial arts, but I found it easiest to perceive in Karate. Of course, that might just be me.

But it doesn’t happen in an art that isn’t a real art.

If you are interested in smooth and slick training programs that result in a silent head, come on over to Monster Martial Arts. It’s good stuff.

Shotokan Martial Artist Called A Shotobot!

Calling a Shotokan Martial Artist a Shotobot is sort of mean, but only if the Shotokanoka doesn’t have a sense of humor. Here’s what my internet student was referring to.

“Thanks for the words yesterday. I enjoy your news letters. Last night at practice, we had matrix training. I love it. It allows you to think of Karate in a logical manner, rather than this rigid stuff other systems teach. My friend is a Shotokan artist or rather ‘Shotobot’ as I like to think of it. We have sparred in the past and every time, I find holes in her defense and offense. Last night we practiced pretty hard, which is what I need after dealing with a bunch of Seniors who would rather be elsewhere. Matrixing really does apply to almost anything in life. Now if only I could teach myself a foreign language in one week!”

He wasn’t really being mean, you see, he was just observing a temporary condition that students of the martial arts, especially a Shotokan Martial Artist, would go through.

Don’t want to be a Shotobot? Want to evolve as a Shotokan Martial Artist? Mouse on over to Monster Martial Arts.

Win #63

People Who Have Studied the Most Arts Get the Most out of Matrix Karate

Isn’t that weird? They’ve got all sorts of experience, yet the simple art is the one that makes it all work.

The fact of the matter is that the truth is simple, and the concepts of the arts ae simple, and a simple art is what makes everything simple.

It is also the best art for explaining Matrixing concepts. Here is a win.

“My first martial art was Jujitsu, then I went on to Filipino Kali, and the last twelve or so years I’ve been studying Tai Chi and Qigong. You really made me reflect on a lot of what I have learned, and I think that some of it makes more sense now.”

Of course, this doesn’t mean you need all sorts of experience, it’s just that the more knowledge you have, the more knowledge Matrixing will put in order, and it’s like getting a complete spring cleaning on your martial arts, and even your mind.

But newbies will get the benefit to. They just don’t always understand how far reaching Matrixing is.

You can find out about Matrix Karate at Monster Martial Arts. Pick up a free ebook while you’re there. Win #60

Does Karate Change the Man, or The Man Change Karate?

Who, or what, does the changing in Karate. Interesting question, eh? I’ll give you more of an answer right after the video snippet.

Can you see any changes? Is it different than your Tekki or Horse Kata?

We study a fixed art, don’t change those forms, and that changes us. We adhere to a program, and become the program.

Yet, if we don’t change the martial art, the art will eventually stop changing us.

The art is a a manifestation of the spirit, and the truth of a spirit is that it must keep changing. This is the fact of creation.

So if you are an old dog who won’t alter a move to fit a situation…the porch is over there, go crawl under it.

But, if you are one of these rebel types, willing to put your chin out and risk a wallop, as long as you get to learn something, then you’re in the right company. Here’s a win.

Al I have enjoyed studying your work.  I love how it is changing the way I look at Karate and Hapkido. Respectfully James

This is a guy who’s learning Karate, and learning himself at the same time.

Check out my Evolution of an Art page. It offers three complete arts for cheap. Do the arts and you’ll understand how big an art can be. Pick up a free ebook on the home page while you’re there.

Win #58

Karate Instructor Sees the Light, Teaches the True Art!

Most Karate instructor courses are boot camp, or an accelerated form of ‘monkey see-monkey do,’ or just a bunch of extra forms to learn. Actually, an instructor has to know specialized data, none of which is taught on the instructor courses I’ve seen. Here’s what happened when one fellow saw the data on the Master Instructor Course.

“As I started reading the Instructor Course things that I had been teaching started to become clearer. I could see why you had chosen one move over another in each form. And for the first time I could really explain to my students not only the whys and hows, but how to take the core moves and expand it to fit any situation.

My students have started coming up to me after class telling me how much more they are enjoying it, and that the classes have stopped being so ridged and now flow in a kind of give and take between me and them. I have stopped being a task master and started having fun and letting them teach me as well.

I also now found that I can more easily critique techniques that I see others as well as my own. I can almost feel what is a pure technique that belongs to an art and one that someone just threw in because they thought it looked pretty.”

This is the mark of a good teacher. The ability to see technique or form and know instantly what is right with it, and what is wrong.

Feel free to check out my Master Instructor page. It works not just for a karate instructor, but for any art, because it deals with the true principles of the MartialArts.Pick up a free ebook on the home page while you’re there.

Win #56

The Greatest Martial Arts Picture of All Time

That picture, of two young guys hunched over and reading, is the greatest martial arts picture of all time. Well, at least for me it is. Weird, eh? I mean, you can’t see my face, the other fellow (Doug) doesn’t care about the shot, and we’re just hunched over trying to figure something out.

In the closets of certain old men you will find, hanging amongst the starched shirts, a fresh pressed gi. A karate uniform. Clean and ready to go. Guy might not have stepped out on the mat for twenty years, but there is something in the closet of his mind that is ready to rock and roll.

His youth was spent becoming a man. Sweating and snapping his muscles till he could hardly stand. Contesting in fiercest and most friendly manner with people he truly loved. And he did not want to put that youth away. He wants that gi, and it is always ready. What he learned, you see, is writ on his bones, and it is a hope and a contagion of competence that outshines the world.

In my favorite picture I am sweating to my core. Even my brain is sweating. And I am becoming the greatest martial arts writer in the history of the world. I have done the physical work, and I have found my friends in combat, and now it is time to record it.

These writings, that picture…they are the gi in my closet. They are my inspiration, and I wish only that the world would understand. I mean, a picture is worth a thousand words, so surely the greatest martial arts picture of all time should be worth a million words?

You can pick up a free ebook, maybe even a few pics in them, at MonsterMartialArts.com

Win #53